Shelterwood

Due to the large number of Field Notes Shelterwood reviews that have been out there recently, I was hesitant to add yet another, but I found myself using my first book for a project this weekend and was inspired.  I also realize that this is my first Field Notes post since my review of the original Kraft Paper version, which was not my intention.

Field Notes Shelterwood, the Spring 2014 Colors Edition. 

Most of the attention given to this edition has to do with the cover:  It's cherry wood veneer grafted onto Field Notes standard Kraft Paper stock and left unfinished.  What you have is a notebook cover that looks like it is solid wood.  When I received the single pack I ordered in the mail (I'm not a subscriber and probably won't be until I run through at least some of the huge backlog of pocket notebooks I have lying around here), all I could do was marvel at the feat of arts and sciences (!!!!!!) that it must have taken to put this thing together.  While the notebook looks like it's solid wood, I was struck by how supple the cover still feels.  Many people comment about how they feel they can't use this as a typical pocket notebook, reserved primarily for more formal, desktop writing,  but at first glance I'm not sure I agree.  I'm going to give it a try using it as I would typically use another Field Notes.  [Caveat:  my impressions may change as I use this notebook.  If the cover starts to splinter, fray or wear in a way that would prevent this notebook from living out its intended 3 week to one-month lifespan of daily pocket use, I could see myself shifting it to less "extreme" applications.  However, I'm not the typical back-pocket user--I have to wear a suit or jacket most days so I carry mine either in my jacket, shirt or side pocket, which limits the wear they suffer.] 

The wood grain on this particular notebook is gorgeous.  The printing on the cover (in "ghost white") ink, looks like whitewash you would see on a wooden fence. 

The paper in this notebook almost warrants its own review.  I'm typically not one to geek out on specs such as paper weight, etc. so I won't do that here.  My primary concern is whether or not I can use it for the vast majority of intended purposes.  Since this is a lined notebook, the question becomes, can i use it to write longhand with a fountain pen, as opposed to jotting quick notes with a gel pen or pencil?  The answer, here, is yes. 

The first page of a fresh Shelterwood (outlining Friday's blog post), written in Iroshizuku Tsuki-Yo with a wet Waterman Perspective sporting a fine nib.

Take a look at the page on the left, which is the flip side of the notebook's first page.  No bleed-through at all.  There is some minimal show-through, but not near enough to bother me, and this pen is a fairly wet writer.  

As most fountain pen users have said, I'd love to see this paper used in more Field Notes editions.  I have a single pack of the America The Beautiful edition as well, and I'll be cracking those open soon.  The one critique I have of this notebook (and it's a small one) is the ruling.  As you can see, I write fairly small.  I do wish that the ruling on the lined paper was narrower so that I could take better advantage of this paper and not use it up as quickly. 

Announcement!  This blog is now taking up enough of my time that it warrants its own pocket notebook for projects/ideas, so the Shelterwood has been given the task.  I'll update this review or revisit the project as the notebook gets more use and some more wear.  I'm also on the cusp of finishing the third notebook of a Doane Paper Utility Journal 3-pack, and after that I've got the third book of a Field Notes Drink Local Ales 3-pack, so there should be some more pocket notebook reviews coming your way.  In short, I really like both the Doane and the Drink Locals, but I'm leaning towards sticking with Field Notes just because they have more character, IMHO.  I can get my Doane fix with the larger Idea Journals and the writing pads. 

Travel Edition: The Gentleman Hits the Road

Just a quick post for the beginning of the week, since I've been traveling since Thursday (and, at least for the time being, am stranded in the airport.  What pens/stationery/writing equipment do you all take on the road?  For this particular trip, I've chosen my "non-fountain pens of choice."  If I'm going on a particularly long vacation or business trip, where I might be doing a lot of journaling or writing, I will take one or two fountain pens, but since this was a long weekend where not much writing was going to get done, I went with convenience.  

Four of my preferred "road pens"

Four of my preferred "road pens"

So, from left to right, the Sakura Pigma Micron 02 (.3mm); Hi-Tec-C Coleto Lumio in Matte Black; Retro 51 Tornado Stealth with the .7mm black refill; and the TiPen with a 0.4mm Blue-Black Hi-Tec-C refill.  The Coleto has four .4mm refills in black, purple, apricot, and orange.  I tucked these into my Nock Co. Hightower with a ruled kraft paper Field Notes and four or five Exacompta index cards and I was ready for pretty much anything:  

So far, I think the Hightower has been the favorite of my Nock Co. cases.  I received all of them, but this is my favorite so far.  Reviews forthcoming.

I'm comfortable with this as my "travel rig" for now.  I've been experimenting with various setups on recent business trips and nearly always have come home concluding that I've carried too much stuff that never gets used and just bulks up my bag.  We'll see where this goes. . . . 

 

In Praise of the Original Field Notes

I worry that somewhere along the line, what made the original Field Notes so great is getting lost in the recent craze over the limited "colors" editions, which seem to be getting ever more exotic in the form of the Shelterwood and the like.  Disclaimer:  I have all of the colors editions since Night Sky, and have not tried the Shelterwood yet.  I am sure the notebook is as nice as the gorgeous paper looks, and I am certainly not trying to hate on Field Notes for embarking on these artistic endeavors which no doubt take them a lot of time and give their customers, me included, countless hours of enjoyment.  That said, for the first time this week, I cracked open a pack of these beauties.

Nothing fancy here.  Field Notes Craft Paper, Ruled with lines. 

I had watched them languishing on my office bookshelf at work for months, while I filled up two Drink Locals, a Night Sky, and two Doane Paper utility journals.  All of those products were excellent, and I have multiples of each.  But for reasons I can't really explain, this plan ruled craft notebook has been my favorite.  I've filled up a third of it in four days, a pace nearly unheard of for me, in a combination of gel pen, pencil, rollerball, ballpoint, and even fountain pen, all of which the ruled paper takes surprisingly well. 

Aaron Draplin's beautifully simple original design, with its unadorned Futura font, is what made this product great from the get go, and the sturdy, functional construction and just flat-out nice paper makes you want to write in it.  Sure, you can't draft a novel with a 1.5mm stub nib fountain pen filled with Noodler's Apache Sunset, but who would do that anyway in a pocket notebook?

I love the Khaki-colored ink.  I'd probably like graph more, but I'm enjoying the ruled for now.

I sometimes think my life would be a lot more interesting if I incorporated some shady transactions.

After buying (and using) Field Notes regularly for almost a year, I think I'm ready for a colors subscription, and not for the reason you might thing.  I had been hesitant because I didn't know what I would do with two free packs of original craft, but now, I view that as a true bonus.

And here's to hoping that Field Notes issues some more colors editions similar to their first, for those of us who missed out on Butcher Blue, Orange, and Grass-Stain Green.